503.747.2727 818.599.5659
Everything Screenwriters Need to Succeed
100% Money-Back Satisfaction Guarantee!
What Do You Need?
Where Are You In the Process?
Whether you're staring at a blank screen, stuck on Act 2, hanging over the cliff in Act 3, or licking the stamps, Flick Scripts is here to help...
Just Starting Out?
Need guidance? Need someone to help you evaluate your idea? Help you break down your outline? Create a treatment (for yourself or a prospect)?
Personal Coaching
Benefits:
Schedule private consultations at your convenience -- as frequently
as you need, as long as you need, in the medium you need (by e-mail,
phone, or in person). Whatever your needs, Flick Script can
specifically tailor a curriculum that works for you.
Turn your concept into an idea: Concept is really just the
beginning. Learn how to evaluate your concept for story potential.
Develop your idea into an outline/treatment: Your Script Coach will
show you -- step-by-step -- how to structure a strong narrative and
work your outline into a first draft. Your Personal Coach will guide
you through the craft of screenwriting. Develop characters, mine
plot and subplot, sequence scenes for dramatic effect, escalate
stakes and conflict, perfect pace, and distinguish themes. Your
Personal Coach helps you develop your idea into a feature-length
screenplay from “FADE IN” to “FADE OUT.”
What You Get:
A complimentary phone consultation to establish your objectives.
A personalized curriculum outline with a detailed plan for each
consultation. Your sessions will be tailored to your needs.
Exercises tailored to tackle your specific writing strengths and weaknesses.
Written outline review, first 10 pages review, review of the first
30, and review of the first draft.
Price subject to individual needs. Call or
email for a complimentary
consultation.
BreakThrough
Screenwriting Power Course
Benefits:
In this one-on-one concept and outline power program, you'll develop your concept, and a
fully detailed, act-by-act, beat-by-beat outline from FADE IN to
FADE OUT.
What You Get:
You'll discover your genre.
You'll craft your logline.
By working through the outline, you'll develop every facet of your
characters, conflicts, subplots, stakes, turning points, reversals,
crises, and resolutions.
Price subject to individual needs. Call or
email for a complimentary
consultation.
Prefer to Learn Along With Others?
Getting Through Act Two
Benefits:
The first 30 sing. Now what?
Getting Through Act Two helps you make the most of what you
have created - and get out of the jungle. Clarify your premise.
Understand your genre, your characters and vision. Break through
your blocks and free the beast.
What You Get:
Thorough analysis of your setup, premise, and genre.
Potential directions you could take your story, in addition to an
analysis of your current challenges and strengths. Exercises and
methods to help you make the tough decisions.
$200
Finished the First or Second Draft?
Coverage
& Analysis
Benefits:
Most writers never see the coverage done on their own work because
it’s privileged company material. Coverage lets you see your script
the way studio executives see it – the story boiled down to its
essence, evaluation, and comments.
What you get:
A studio-style report: a cover sheet with a rating grid and
logline, followed by a one-page synopsis, and a page or two of
comments, analysis, and evaluation of the script’s feature film
potential.
Click here to see
Sample Coverage.
$100
Back to top
In-Depth Analysis
& Development Notes
Benefits:
It’s like having your own personal story editor, who will comb
through your script with one guiding ambition -– to make it as
strong as it can be.
What You Get:
5-10 pages of detailed notes analyzing your story and its commercial
potential. Topics include structure, character, conflict, plot,
dialogue, pace, setting, story focus, tone and theme.
Script notations on action, pace, scene sequencing, style,
dialogue, tone/emotion, setting, structure, character, conflict,
etc. Suggestions for improvement including scene revision, character
development, plot clarifications, etc.
Includes one-hour consultation one week after delivery.
Click here to see
Sample Analysis.
$450
Line Edit Polish
Benefits:
A "check-up from the text
up". A polish is the sheen of an
easy read, the luster of perfection.
More than catching all the glitches spell check doesn't, a line edit
corrects inconsistent name changes, errors, style, grammar, format,
spelling, and meaning.
What you'll get:
Finish draft to industry standards (or the standards you request)
ready for submission. Includes a one-hour consultation to discuss
edits.
Line Edit is for scripts that are ready to go.
Click here to attach your script, and request a
line edit sample of your
first 10 pages absolutely free!!
$350
Pitch Synopsis
Benefits:
A dynamic, well-written treatment (outline/synopsis) and persuasive
pitch letter are crucial to successfully market any screenplay. In
fact, many companies require them with script submission. But that’s
a good thing -- It’s easier to get a busy executive to read a
one-page summary than a full-length script. Plus -- it can pre-sell
your concept. You’ll get 3 pitches in varying lengths to have on
hand for any opportunity.
What you'll get:
Logline: Your story in a single sentence – the TV Guide version.
Premise: Your basic “25-words-or-less” storyline.
Single Pager: The “You got 5 minutes, kid” version.
Two Pages: For when there’s time for more details.
Includes consultation for final draft.
Click here to see a
Sample Pitch.
$150
Formatting
Benefits:
Don't get rejected before they've read a single word. A reader,
agent, or producer can fan the pages and tell at a glance if your
script is professionally prepared. You won’t even get a read at some
agencies and studios if it doesn't look right. Proper formatting
dresses your script for success.
The breakdown analysis -- included at no charge -- will tell you a
lot about your script. You’ll receive a character list, along with
the number of times they speak and the page numbers. Plus, you'll
get a scene breakdown, including length and locations. These are
helpful tools you can use during revisions, or when you pitch a
prospective agent or producer.
What you'll get:
When you submit your
script, in either printed or electronic format, you will receive it
back along with a properly formatted hard copy and electronic
version.
Click here to attach your script, and request a
formatting
sample of your first 10 pages absolutely free!!
$50
The Royal Treatment
Benefit:
An evocative treatment can be the hardest working tool
in your kit. It tells your story. It can keep you on track. It can
help you make sure you cover all your bases. It can pitch your
story. It can even sell your script before you write it!
What you'll get:
A prose version of your script that includes all
the beats, all the characters, all the events, twists, subplots, and
subtext.
Includes a one-hour consultation before final draft.
$500
Happy Returns
Benefit:
A detailed review reveals whether you accomplished your revision goals.
Never hesitate to contact us with questions about your notes. Once
you've done the work, we'll put it back to the test. Does it still
answer the premise? Is it fresh? Cinematic? Cohesive? Expressive?
Are the characters, story, and conflict interesting and exciting? In
short, is it the best it can be? Is it ready?
20% Discount on Selected Program
Welcome Back
We hope your success will be
sufficient incentive to return to Flick Scripts Consulting to help
you perfect your next script. We're offering returning clients a
discount because we develop relationships with our clients, and that
naturally inspires our desire to offer you discounts.
10% Discount on Selected Program
Receive a referral fee when you send a friend!
Not Enuf?
Do you need someone to rewrite your
script -- or write it for you? Are you looking for a script doctor,
a ghostwriter, a c0-writer, or someone to package your script for
you?
Contact Flick Scripts Consulting.
To Write Your Velvet Trap
Call for special programs and offers
503.747.2727
818.599.5659
“Your manuscript is both good and original, but the part that is
good is not original, and the part that is original is not good.”
--Samuel Johnson